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gwen hughes
press quotes
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"She begins
to sing and
the entire
place stops
dead
silent...her
southern
heritage
weaves
through her
persona like
kudzu around
a fencepost.
Her
interpretations
on tunes
like "Whole Lotta Love"
and "Time of
the Season"
are an
essential
addition to
her already
impressive
canon of
performances...looks
like she'll
be on stage
for years to
come, with a
thoroughly
mesmerized
crowd in
tow, hanging
on every
nuanced
interpretation."
-
(Georgia
Music
Magazine)
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“She has a feline
sense of assurance onstage and a voice full of humor…”
The Studio
“[On Torch Life, she] swings lightly from come-hither cabaret diva to
serious pop interpreter to playful entertainer indulging in liberating
vocalese.”
The Atlanta Journal Constitution
“The whole
performance is genuinely breathtaking.”
Creative Loafing, Atlanta
“Gwen is an outstanding vocalist who truly makes any song her own.”
Sambuca Jazz Café, Dallas, Texas
“Hughes…[has] the big open vibrato of a young Sheila Jordan.”
Cadence magazine
“Gwen is one of those ‘chanteuses.’ That means she can really sing and
attracts the best players in town to back her up.”
The Star Bar, Atlanta
Torch
Life
Gwen’s first CD Torch Life consists of songs she wrote from the age of
16 up until a decade later. And she eerily covers “Every Breath You
Take” by Sting, foreshadowing the more eclectic bent of her music in the
future.
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All you need in the way of electronic media.
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REVIEWS
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"Our seven year old daughter walks around the house singing Gwen's songs with her iPod. She does not have the amazing range and energy that Gwen brings to her music, but it shows that kids really dig the Warbler."
- Allan Macarthur, iTunes
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“I’m the soft touch that you need / the balm in your Gilead
/ the whisper of love in your chaos / the only hope, boy,
that you ever had”
“Soft Touch” – Torch Life
Gwen Hughes, RedWarbler
Music
“A great makeout CD…upright bass, hepcat kind of stuff.”
Steve Craig, WNNX-FM,
Atlanta
“The South’s Sexiest Songstress and her killer band are as
irresistible as gravity.”
Borders Books & Music,
Atlanta
“Hughes eschews what she calls ‘safe jazz.’ There is
definitely nothing in her performance that would sound at
home on a Kenny G album.”
The Studio
She is the most professional musician I’ve ever worked with.
And she has this amazing quality to her voice, this very,
very pretty quality…like Billie Holiday.”
Joe Gransden, trumpeter & vocalist
The Studio
As mentioned in the “Retro Jazz Kats” pages the original
live band that toured in support of Torch Life was 14
members strong, a huge collection of the city’s best
players, from cellists to saxophone, djembe to violin. Gwen
wrote and produced the wildly successful “Kool Kat
Lounge-a-Go-Go,” featuring jugglers, cigarette girls and
throngs of adoring swing dancers.
The exhaustion of running the large band for Torch Life,
however, resulted in her stripped-down sound on most of her
second CD’s tracks. Where there had previously been a full
horn section, now there was merely guitar, bass and drums on
many of the tunes.
Lost and Found, released in 2001, is a “journey” album.
During the trip, Gwen & her band have twice been voted
“Favorite Jazz Artist” by Creative Loafing in Atlanta.
Additionally, Gwen’s song “Lights of the City” was a
finalist out of 100,000 songs in the Just Plain Folks/CD
Baby “Best Jazz Songwriting” category. Both Lost and Found
and Torch Life made their way into initial consideration for
a Grammy by the National Academy of Recording Arts &
Sciences.
Lost
And Found
“All this pretty paradise is really just passing through /
and if you don’t believe me, you better look inside of you”
“Stranger’s Kiss” – Lost and Found
Gwen Hughes, RedWarbler Music
“It’s hard to be holy and passionate.”
John Eldredge
The Journey of Desire
“The perfect landscape of your life / the rolling hills of
mine / the sweetest curves of a night well spent in the
safest part of my troubled heart”
“This Fire” – Lost and Found
Gwen Hughes, RedWarbler
Music
“She’s found for herself a medium through which a woman torn
can exorcise the effects of reckoning the conscious with the
libido.”
The Brunswick News
“You ain’t been blue / no, no, no / you ain’t been blue /
‘til you get that mood indigo”
Duke Ellington
recorded for The Misplaced Martini in the Cosmetics section
of Parisian department store
“So, I told him,’ Gwen was explaining to Dally, “when you
find somebody alive today who can write a song as good as
Strayhorn or Ellington or Fats Waller, then we’ll do more
original material. Until then, shut the hell up. Besides,
this stuff gets everybody dancing.”
The character “Gwen
Hughes” as she appears in Phillip DePoy’s
Dancing Made Easy (Dell Books)
Gwen Hughes & The Retro Jazz Kats are the “Ambassadors of
Jazz” to listeners all over the Southeast, as well as on
national and international stages. The late-2001 album, The
Misplaced Martini highlights the humor, humanity and
chutzpah of their live performance. It received general
airplay nationally in 2002, and her rendition of “Fever”
charted in the Top Ten of the 2001-2002 Swing Top 40. Gwen
began touring overseas in 2003 to support all her CDs on
Fairfield Records and continues to charm her way across
continents.
“Absolutely the best way to experience jazz is to put us on
the spot and see if we crash and burn. Sometimes we do, and
the fun is getting out it!”
Gwen Hughes
The Gainesville Times
“We surely did enjoy playing The Misplaced Martini.”
Eric Cohen, Program
Director
WAER-FM, Syracuse, New York
“There is no denying the people’s love for this
golden-throated chanteuse.”
Creative Loafing
“Some may know of Gwen Hughes, some may not…but they will.”
WRFG-FM, Atlanta
Creative Loafing Reader's pick for Favorite Jazz
Artist.
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REVIEWS
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“Gwen is one of those ‘chanteuses.’ That means she can really sing and attracts the best players in town to back her up.”
- The Star Bar, Atlanta on
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Gwen Hughes
Copyright
© 2010
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